Original watercolor on Arches 140# paper, unframed.
During the two years of the pandemic, I was fortunate to have art as a ready source of focus when many other activities were cancelled. I took the opportunity to explore still life painting of an abstract quality. Vivid colors, beloved objects, symbolism and unrealistic edges and overlaps characterize this series of paintings. Gratitude is a metal sculpture that was made in the tradition of lost-wax casting in Burkina Faso, Africa. She became the center piece for several of these paintings.
Original watercolor on Arches 140# paper, unframed.
During the two years of the pandemic, I was fortunate to have art as a ready source of focus when many other activities were cancelled. I took the opportunity to explore still life painting of an abstract quality. Vivid colors, beloved objects, symbolism and unrealistic edges and overlaps characterize this series of paintings. Gratitude is a metal sculpture that was made in the tradition of lost-wax casting in Burkina Faso, Africa. She became the center piece for several of these paintings.